20 October 2017

The Thing: Artbook

My piece You've Gotta Be Fucking Kidding that I did for The Thing: Artbook, a collection of illustrations from over 350 artists responding to the classic film.  Rather than trying to imitate the complex and lurid illustrations I knew would make up most of the book, I decided to go left-field with it and do a companion piece to my Little Portrait set I did five years or so back (by far the most popular set I've done).  I was a bit worried that it might be too left-field and stick out like a sore thumb, but so far feedback has been really good.

The book comes with a foreword by Eli Roth and an afterword by John Carpenter, so there is a 0.000000001% chance that the man himself has seen my work.  That boggles my mind.

13 September 2017

Vincent Adultman

My piece I Went To The Stock Market Today. I Did A Business for Gallery1988's BoJack Horseman: A Hollywoo Art Event in Los Angeles.  I was stoked to be part of this official exhibition, produced to coincide with the release of Season 4 on Netflix.  I couldn't think of anyone I'd rather draw than the inspiration that is Vincent Adultman.  There's not a day goes by where I don't feel like I'm little more than three kids stacked on top of each other under a trench coat.

The opening was last Saturday and the framed piece exhibited sold on the night, but nine of ten remaining prints are still available via the gallery.

Movie Mentors

I produced a set of three felt-tip portrait postcards of my favourite movie mentors for my friend Paul's postcard auction to raise money for NEATEN - the North East Art Teacher/Educator Network

7 August 2017


My big sis turns 40 later this month, so I did this commemorative illustration of some of the awesome and news-worthy events from that year.  I inked it and Em hand-coloured it to match my sister's living room.

27 June 2017

Talking Libraries

Earlier this year I was made Comic Artist In Residence for The Word in South Shields, as part of the Arts In Libraries programme, funded by Arts Council England.  My brief was to create a comic book inspired by the people I encountered at The Word.

The main part of the residency took place over seven days (broken up over the course of April) and I spent the first two days of this walking around the building and chatting to it's users to find out why they were there and what their thoughts were on The Word and libraries in general.  I also sat in on a number of groups and classes, including two writers collectives, a ukulele group, and a series of classes and workshops on creative technology.  I took very few photos (as I wanted people to be comfortable talking to me and sharing their thoughts and stories), but I had my notebook with me and so furiously scribbled down information and doodles to remind me of clothing and hair.

I had an idea early on that I might go anthropomorphic with it a la Creature Comforts (and therefore sidestep the issue of capturing likenesses with no photo references) but quickly abandoned this when I remembered that drawing animals wasn't one of my strengths!

For the remainder of the residency I worked in the atrium of The Word, consolidating my research and roughing out the structure of the comic, while people would occasionally stop by to chat and find out what the residency was about.  I was a little nervous at first, feeling that I was on show, but it turned out to be a very relaxing working environment.

By the end of the seven days I had a completed comic in rough form.

However, it was only a rough draft, so I spent the next two months (in between my other commitments) refining the script until it read well and made sense structurally.  It was quite tricky finding and maintaining the right tone - I wanted it to be light and funny, but I couldn't mock the library or it's users, so finding the humour in the situation was a challenge.  I also wanted it to make a serious point, but without being preachy or one-sided, and most of all, I didn't want the comic to be seen as an advertising piece for The Word (a feeling shared by my supervisors).  I instead used the building as a case study to make points about libraries in general.

Comparatively, the actual drawing and inking aspects took very little time and came together much easier.  Here are some process shots from the comic, taking it through pencils, inks then digital colouring...

Talking Libraries is the result - a 16pp humorous comic strip essay on the evolving idea of the modern library.

To cap the residency off, last Saturday the Writer In Residence Niel Bushnell and I returned to the atrium to unveil our creations as part of the inaugural WRITE Festival

The original print run of Talking Libraries is available for free via The Word, with a downloadable digital copy available to download here.

24 March 2017


I've always created work in A3 and reduced it down to A4/A5, as it allows me room to breathe and covers a multitude of sins, but after years of scanning in portions and piecing it together on Photoshop like some torturous jigsaw, I finally gave in and invested in an A3 scanner.  It's a beautiful beast of a machine.

To test it out I rooted around for some A3 artwork I never got round to scanning and found this piece about explorers.  Enjoy...